groovin' high analysis

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GT: Guide Tones – … [2] The biography Dizzy characterizes the song as "a pleasant medium-tempo tune" that "demonstrates...[Gillespie's] skill in fashioning interesting textures using only six instruments". Absolute duration classes are based on 120 bpm. Dizzy composed the tune in 1944, basing it on the chords to the 1920 popular song “Whispering” (also in The Real Book). There are at least 11 different albums in the Gillespie discography alone named Groovin' High, compilations that include the song along with other notable tracks that Gillespie performed. Groovin High, originally written by Charlie Parker and Dizzie Gillespie is one of those jazz standards that everyone definitely knows, but doesn’t necessarily know the name of. [13], Other notable performances of the song took place on September 29, 1947, when Parker and Gillespie reunited in concert at Carnegie Hall,[14] and during a 1956 tour sponsored by the US State Department. 1300+ Jazz Standard Progressions with Full Harmonic Analysis, Chords, Chord-scales and Arrows & Brackets Analysis in four volumes. [11] The author praises the "lovely, logical, melodic construction" of Parker's 16-bar solo as well as singling out performances by Gillespie ("excellent"), Slam Stewart ("inimitable") and Palmieri ("adequate"). Acrylic on canvas, tie-dyed, pieced fabric border. The chord changes are based off of Paul Whiteman’s composition Whispering. It was a giant step forward for jazz". Writing new melodies over existing chord changes was a common practice at that time. See here for Posted on January 15, 2012 by Adam. with nine different main categories, as defined in our paper, The Jazzomat Research Project, Doc v1.4.1, Privacy statement (Datenschutzerklärung). metrical positions to the corresponding bin. Groovin’ High was written by the great trumpeter Dizzy Gillespie in 1945. [12] The book Charlie Parker: His Music and Life describes this performance, along with the three other songs played in that session, as capturing "much of the vitality of the early Gillespie-Parker partnership. [15] During the 1956 tour, Gillespie simultaneously performed "Groovin' High" and "Whispering" to demonstrate the way jazz musicians build on the bones of earlier compositions. definition of classes. [16], According to the book Visions of Jazz: The First Century by Gary Giddins, Gillespie once recounted that he believed the song had been inspired by a film serial he saw at a matinée when he was a child that used the song "Whispering" as its theme. Each worksheet contains the full harmonic analysis of a jazz tune in which you must provide the chord changes. [8] According to Yanow, "Parker and Gillespie's solos seemed to have little relation to the melody, but they were connected. Download the transcription: Concert, Bb, Eb, Bass Clef. [7] But though fans and fellow musicians found the material "very strange and difficult", The Sax & Brass Book notes, they were quickly adopted as classics. [10] Not having to conform to 78 rpm technology, Gillespie and his band were able to add several minutes to the song during that performance. [6] In Jazz: A Regional Exploration, Yanow explained that at the time such songs "were unprecedented...displaying a radically different language" from contemporary swing. for a definition of classes. 1300+ Jazz Harmony Worksheets to master harmonic progressions in the Jazz Vocabulary. "Groovin' High" is an influential 1945 song by jazz composer and trumpeter Dizzy Gillespie.The song was a bebop mainstay that became a jazz standard, one of Gillespie's best known hits, and, according to Bebop: The Music and Its Players author Thomas Owens, "the first famous bebop recording". The rendition Charlie Parker has, is one of the most famous Charlie Parker recordings with Dizzie Gillespie, one of the world’s most famous trumpet players. [3], First performed on February 9, 1945, Gillespie reworked the arrangement for a February 28 performance to allow an improvisation by guitarist Remo Palmier,[9] and it is this reworking that became so well known. [3], In the book Yardbird Suite, music historian Lawrence O. Koch sets forth in detail the structure of the song as performed on December 29, 1945 and preserved by Armed Forces Radio Service, from the two-bar unison figure by Gillespie and Charlie Parker that open the song to the Gillespie coda at the end. BMG/Makin’ Friends records (74321 14165 2), Dizzy Gillespie (tp); Charlie Parker (as); Milt Jackson (vib); Al Haig (p); Ray Brown (b); Stan Levey (dr). ... Below you will find my key for deciphering my markings on the analysis. Previous Project; Next Project; Grace Matthews [4], First published on the 1945 album Shaw 'Nuff,[5] the song is one of seven on that album that, according to jazz critic Scott Yanow, "shocked" Gillespie's contemporaries, contributing to that album's "permanently [changing]...jazz and (indirectly) the entire music world". [7], Thomas Owens highlights the innovative use of source material, pointing out that while it was not uncommon for jazz musicians to utilize existing chord structures in their compositions in 1945, Gillespie's "melodic contrafact was the most complex jazz melody superimposed on a pre-existing chordal scheme", "atypically elaborate". Share of notes with direction reversal (i.e, minima and maxima of pitch contour). See here Ratio of longer to shorter eighth of beats with binary subdivision. Milt Jackson, Groovin’ High. [3] The song is a complex musical arrangement based on the chord structure of the 1920 standard originally recorded by Paul Whiteman, "Whispering", with lyrics by John Schonberger and Richard Coburn (né Frank Reginald DeLong; 1886–1952) and music by Vincent Rose. [2], The song has been used to title many compilation albums and also the 2001 biography Groovin' High: The Life of Dizzy Gillespie. Midlevel analysis is a qualitative annotation system of playing ideas, Midlevel analysis is a qualitative annotation system of playing ideas, with nine different main categories, as defined in our paper. Mean concentration of events in the bar, rounded and normalized to 4/4. [17] Gillespie offered no details about the serial, except that he believed it might have starred stuntman and rodeo rider Yakima Canutt.[17]. In addition, several compilations have been released under this title in Parker's name. Relative duration classes are based on the duration of the beat. “Groovin’ High” is an early bebop classic by trumpeter Dizzy Gillespie. Metrical circle maps divides the bar duration into Also known as “fuzzy intervals” or interval classification. Extended Chordal Diatonic Pitch Class is calculated in reference to the Owens describes the 1947 recording as among the finest of Parker's career. underlying chord. equal sized bins (48 in this case) and maps You’ll also notice extra bars at the end of the form from the … (Labels normalized to 4/4 measure). "Groovin' High" is an influential 1945 song by jazz composer and trumpeter Dizzy Gillespie. [10] Noting that the coda "has become a jazz cliché, both in its melody and the chord pattern from which the melody was derived", they also draw attention to Gillespie's "prima donna breath control" on the final E-flat, with only a "slight loss in intonation" in spite of the difficulty of the phrase.

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