how to mic bongos

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The biggest factor on your sound recording bongos is how much room sound you have. Let the player get comfortable, then set the mics up to his position. To view this video please enable JavaScript, and consider upgrading to a Relatively new to conga and bongo mic'ing. My room isn’t really great for recording, so this isn’t ideal for my situation, but if you do have a room sound that you want to capture, using a condenser mic is a great way to go. I am new to the sampling game - I've never really needed it. If I'd have recorded it in stereo, I'd have probably just used a stereo widener, but as I recorded it in the way I did I am kinda at a loss as to what to do. You will notice some noise in the recordings at farther distances. Bongo drums have an exotic sound by themselves, and having a good room sound can really add to the feel. For example, if the vocals are calling and the bongos are responding or filling to the vocals, pan the vocals maybe 15%-25% (give or take) one way and the bongos 15%-25% the other. There are currently 1 users browsing this thread. I decided to a little experimentation that may help you as you’re trying to figure out just the right bongo drum sound for your track. Why can I not pan things from left to right inside Logic 5.5??? We have had this song knocking around for the last eight months adding and deleteing different elements everytime we play around with it, i got it out again the other day with a group of friends and decided to add some bongo' to the intro, a friend has offered to bring bongo's and play them on thursday, any advice on how to get the best results (mic techniques/placement would be appreciated. - if it's a very thin mix with a lot of space and not a lot of instruments or density, try panning the bongos 25-50% (give or take) one way, and a wet reverb of that track the same amount the other way. If you’re like me, you don’t own a bongo stand, yet, so you have to hold the bongos between your knees in the traditional manner. eval(ez_write_tag([[250,250],'soundadventurer_com-large-mobile-banner-2','ezslot_4',118,'0','0']));If you want to get more room sound, simply move the mic farther than the bongos. eval(ez_write_tag([[468,60],'soundadventurer_com-leader-4','ezslot_9',121,'0','0']));Condenser mics shouldn’t be directly by the bongos, but can be as close as 12 inches to 24 inches. Also, I found a May Sennheiser 604 SD/tom mic that mounts inside the drum, which I think would be very nice if it captures conga nuances. A small-diaphragm condenser or a dynamic mic would work well for this purpose because of the close proximity. The player of the bongos. You can place a DPA mic within one centimeter of the drum head and experience no mic overload. No big deal, it still works. And while stereo can be nice, it is far from necessary. Sie stammen aus Kuba. I've seen various mic set ups for congas and bongoes. If you have a nice room then use the LDC a few feet further back as well for a room mic, but watch for phase issues. This dynamic mic has the advantage of being high quality and fairly affordable as well.eval(ez_write_tag([[250,250],'soundadventurer_com-large-leaderboard-2','ezslot_11',141,'0','0'])); The best advantage for condenser mics as I will go into more detail later is that you are able to capture more of the sound of the room. The SM-98 is another miniature condenser mic that can be clipped on to the drums. Additionally, if you have a great room space, a condenser mic will pick up that room sound as it also picks up your bongo sound. The bongos hail from Cuba and came into being within the Son style of music in the mid-1800s.Son is an organic merging of African and Spanish music from the eastern part of Cuba. Bongos played in the traditional sitting position lock the player into a fairly static posture, unless they are big toe tappers. This is a recording of this setup with a SM-57 dynamic mic, 3 inches from the bongo drumheads: If perhaps you want more “room” in your sound, or if you are dissatisfied with how the dynamic mic may sound, read on for more options for modifying your sound. It’s practically a brick; really tough, and used often for recording drums. For your mic, set the gain as high as it can go without clipping (green or yellow light, never red). I read about others, however, that use clip-on mics for bongo drums. web browser that This is a borderline holy war topic–there are a lot of different opinions on whether bongos or congas should be recorded in stereo (one drum per channel). If you are in a square room without soundproofing, in general you’re going to get a reverb that doesn’t sound good, as the sound waves will echo and cancel each other out, affecting tone. You won’t hear the hembra and the macho in different panning scenarios. I don't know--they're about $20 USD more than SM57s when purchased in the 3-pak. As you can tell, the bongo drums still feel close, but you get that room sound. It’s easy to set the mic gain too high on drums because it’s hard to adjust for the big variance in pop that drum players inevitably have. The bongos were originally the only drums used in Son music and, because of their soft sound and high pitch, were played only during the introduction and verses of the songs. Room Sound can be awesome for your track. eval(ez_write_tag([[250,250],'soundadventurer_com-large-mobile-banner-1','ezslot_1',120,'0','0']));Condenser mics are more sensitive because of their large diaphragms, and thus aren’t the go to mic for other percussion in many cases (like a drum kit for example), however, it can work really well for your sound if you get proper distance. Dynamic mics are great at getting up close and personal to the sound and ignoring everything else going on. Room sound of course varies tremendously from room to room. Once you have your bongos mounted where you want them, or if you have your bongos situated comfortably (as comfortably as is possible I suppose) between your knees, then you’re ready to position the mic. soundadventurer.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. It’s understandable why this question comes up because when we mic a drum-kit we have a separate channel for the bass, the cymbals, the snare, the hi-hat, etc. As I was doing research I found a lot of different methods and microphones used for mic’ing bongo drums. Later on we’ll talk about figuring out the sound you want, but for now, I’ll tell you the easiest way to get the best sound from your bongo drums. eval(ez_write_tag([[728,90],'soundadventurer_com-leader-2','ezslot_5',122,'0','0']));During my research, I confirmed my earlier suspicion that the SM-57 microphone by Shure is one of the most common microphones used for recording percussion, and bongos are no exception. This is likely because old band recordings with bongos didn’t directly mic the bongos. There’s a lot more to know about why you would choose to mic your bongos this way, and there is more to learn about other ways you can mic your bongos. If you put the condenser mic closer to the bongo drums, this will be less of an issue–however, condenser mics shouldn’t be too close to a loud source or you could risk damaging them. Audio-Technica’s AT4040 is another Condenser mic that can be used for mic’ing the bongos directly or for capturing ambient sound. You can achieve this with a condenser mic overhead or otherwise farther away from the music. Bongo-Trommeln (spanisch bongó) sind paarweise verwendete, kleine einfellige Röhrentrommeln, die mit Fingern oder Händen geschlagen werden. Make sure and snag your copy or your upgrade before time runs out, 2020 Sound Adventurer All Rights Reserved, link to How Many Holes Does A Flute Have? I use 2- SM57s to close mic the head of the congas and 1 SM57 to mic the bongos. For example, if the vocals are calling and the bongos are responding or filling to the vocals, pan the vocals maybe 15%-25% (give or take) one way and the bongos 15%-25% the other. This site is owned and operated by MindBuilders. This site also participates in other affiliate programs with Rakuten and is compensated for referring traffic and business to these companies. The DPA 4099d is a clip-on condenser mic that has warm reviews for recording bongos. Founder of this website. I'd go for your SDC around a foot back, outfront and slightly above the bongos.

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